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It argues that universities have become vehicles for industrial recruitment and symbolic capital rather than spaces for serious inquiry, and that the academic publishing apparatus actively suppresses critical thought. Drawing on the traditions of thinkers such as Bourdieu, Goffman, and Kandiaronk, and aligned with the legacy of intellectual refusal embodied by figures like Thoreau, Gandhi, and Nietzsche, the essay defends the practice of rigorous, independent thinking outside institutional constraints. Beyond institutional critique, it addresses the broader cultural conditions that have eroded attention, memory, and public curiosity, and asks whether the world remains capable of sustaining any real intellectual life. In response, it affirms the quiet necessity of preserving thought as a discipline—without permission, visibility, or reward—until the conditions for serious thinking return."],"source_label":"Zenodo record metadata (DataCite)","source_url":"https://doi.org/10.5281/zenodo.15731144"},"event":null,"visibility":"public","audiences":[],"artwork":null,"location":null},{"id":"zenodo-15639641","music_id":null,"slug":null,"href":"/work/zenodo-15639641","title":"Colonial Savage Fantasies: from Skull Island to Deep Space","medium":"Publication","classification":"Publication","kind":"Publication","date":"2025-06-11","date_end":null,"date_precision":"day","date_label":"Publication date","date_note":"","approximate":false,"recording_date":null,"project":"Anthropology","primary_project_id":"anthropology","project_ids":["anthropology"],"people":["Rodrigo Ferrari-Nunes"],"credits":"","credited_artists":"","credit_roles":[],"place":"","place_role":"","keywords":["Publication"],"description":"","doi":"10.5281/zenodo.15639641","link":"https://zenodo.org/records/15639641","image":null,"embed":null,"player":null,"sources":[{"label":"Read paper (Zenodo)","url":"https://zenodo.org/records/15639641"}],"collections":[],"lyrics":null,"patreon_post_url":null,"abstract":{"kind":"Abstract","short":[],"full":["This essay explores how colonial and racial patterns have shaped the cinematic imagination, especially in science fiction and fantasy. Beginning with a reflection on Peter Jackson’s King Kong (2005), it examines how modern films reproduce imperial myths—portraying so-called “savages,” alien civilizations, and futuristic worlds through narratives that normalize domination. From Prometheus and Star Wars to Independence Day, E.T., and Contact, these works often present technologically advanced yet irrational beings whose only function is to threaten humanity and justify conquest. Behind this visual storytelling lies an epistemological system—the Colonial Cosmology—rooted in Hobbesian fear, Darwinian hierarchy, and state-backed mythologies of progress. Agencies like NASA play a central role in this regime, not only controlling what is seen and known, but cultivating belief in cosmic frontiers while silencing other cosmologies. The essay contrasts this narrative machinery with the radical critiques of Kandiaronk, the 17th-century Wendat philosopher, who dismantled Christian doctrines of sin, hierarchy, and coercion in dialogues with Baron de Lahontan. His vision of autonomy, reciprocity, and freedom without domination reveals what is systematically excluded from mainstream cinema. By recovering these suppressed perspectives, the essay calls for a renewed clarity about what cinematic worlds teach us to desire, what they command us to fear, and what visions of humanity and relation they refuse to imagine."],"source_label":"Zenodo record metadata (DataCite)","source_url":"https://doi.org/10.5281/zenodo.15639641"},"event":null,"visibility":"public","audiences":[],"artwork":null,"location":null},{"id":"zenodo-15633986","music_id":null,"slug":null,"href":"/work/zenodo-15633986","title":"The \"Filling In\" Phenomenon: Belief, Emotion, and the Cosmological Theatre of the Space Age","medium":"Publication","classification":"Publication","kind":"Publication","date":"2025-06-10","date_end":null,"date_precision":"day","date_label":"Publication date","date_note":"","approximate":false,"recording_date":null,"project":"Anthropology","primary_project_id":"anthropology","project_ids":["anthropology"],"people":["Rodrigo Ferrari-Nunes"],"credits":"","credited_artists":"","credit_roles":[],"place":"","place_role":"","keywords":["Publication"],"description":"","doi":"10.5281/zenodo.15633986","link":"https://zenodo.org/records/15633986","image":null,"embed":null,"player":null,"sources":[{"label":"Read paper (Zenodo)","url":"https://zenodo.org/records/15633986"}],"collections":[],"lyrics":null,"patreon_post_url":null,"abstract":{"kind":"Abstract","short":[],"full":["This essay examines the epistemological phenomenon of filling in-the cognitive reflex by which individuals complete incomplete or contradictory narratives offered by institutional authorities. Focusing on the theatrical structure of modern space programs, it shows how belief is sustained not by evidence, but by trust, habit, and emotional investment. Events such as the 2018 ISS leak allegedly plugged by a finger, harness malfunctions during astronaut broadcasts, and the visibly patchworked imagery of the South Pole on Google Earth exemplify how symbolic authority supplants empirical scrutiny. Rather than mocking believers, the essay investigates the emotional pressures that sustain consensus: the fear of isolation, the cost of dissent, and the social rewards of compliance. Even critical academics are shown to \"fill in\" the contradictions that underlie official cosmological narratives-an effect of relying on fiction and institutional authority in order to share in the psychological rewards of a fabricated vision designed to protect the State and its role as cosmic gatekeeper. Those who point out these contradictions are often met with ridicule or ad hominem attacks. Filling in, in this context, serves to protect what the essay terms the Colonial Cosmology-a modern mythos that sustains imperial control by replacing empirical observation with visual spectacle, emotional manipulation, and theatrical authority, reinforcing the State's self-appointed claim to cosmic knowledge and dominion."],"source_label":"Zenodo record metadata (DataCite)","source_url":"https://doi.org/10.5281/zenodo.15633986"},"event":null,"visibility":"public","audiences":[],"artwork":null,"location":null},{"id":"release-comusuberam","music_id":"comusuberam","slug":"comusuberam","href":"/projects/comusuberam","title":"Comusuberam","medium":"Recording","classification":"Recording","kind":"Recording","date":"2024-03-21","date_end":null,"date_precision":"day","date_label":"Release date","date_note":"","approximate":false,"recording_date":null,"project":"Makulelu","primary_project_id":"makulelu","project_ids":["makulelu"],"people":["Rodrigo Ferrari-Nunes"],"credits":"Composition and production — Rodrigo Ferrari-Nunes. Credits confirmed by the composer. 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","credited_artists":"","credit_roles":[],"place":"Shetland, Scotland","place_role":"Collection context","keywords":["SpootHawk","video"],"description":"Hot Love (Straight After Midnight) \nwritten by Ewan Nowak\nfrom the Spoot Hawk album \"A Good Haul\" \n\n\nSPOOT HAWK:\nEwan Nowak (guitar)\nArthur Nicholson (guitar, backing vocals)\nJoe Watt (vocals)\nLewis Murray (drums)\nRodrigo Ferrari Nunes (bass)\n\nVideo created wi","doi":null,"link":"shetland.html#video-Kv6PNmy-tYU","image":"https://i.ytimg.com/vi/Kv6PNmy-tYU/hqdefault.jpg","embed":"https://www.youtube-nocookie.com/embed/Kv6PNmy-tYU","player":null,"sources":[{"label":"Original YouTube upload","url":"https://www.youtube.com/watch?v=Kv6PNmy-tYU"}],"collections":["shetland"],"lyrics":null,"patreon_post_url":null,"abstract":null,"event":null,"visibility":"public","audiences":[],"artwork":null,"location":null},{"id":"zenodo-15755619","music_id":null,"slug":null,"href":"/work/zenodo-15755619","title":"Edonguera, Volume 1","medium":"Publication","classification":"Publication","kind":"Publication","date":"2024","date_end":null,"date_precision":"year","date_label":"Publication year","date_note":"","approximate":false,"recording_date":null,"project":"Edonguera","primary_project_id":"edonguera","project_ids":["edonguera"],"people":["Rodrigo Ferrari-Nunes"],"credits":"","credited_artists":"","credit_roles":[],"place":"","place_role":"","keywords":["Creative Writing","Utopia","Book"],"description":"","doi":"10.5281/zenodo.15755619","link":"https://zenodo.org/records/15755619","image":null,"embed":null,"player":null,"sources":[{"label":"Open on Zenodo","url":"https://zenodo.org/records/15755619"}],"collections":[],"lyrics":null,"patreon_post_url":null,"abstract":{"kind":"Abstract","short":[],"full":["This document is the complete text component of the Edonguera Project, a collaborative father–son musical and storytelling work in Brazilian Portuguese. It originated as an unorthodox form of musical therapy when my father, a busy legal professional, would enter trance-like states and improvise singing in an invented language. I began recording these performances and, using Logic Pro, developed techniques to tune and arrange them into composed pieces with complex, hand-written instrumentation including bass, guitars, keyboards, drums, backing vocals, and full horn sections.","To give cultural depth to this invented language, we created Edonguera: a hidden, utopian country without government or money. This idea was inspired by my study of Kandiaronk’s critique of European society, which I first encountered in The Dawn of Everything by David Graeber and David Wengrow—a book recommended to me by my MA supervisor at the University of British Columbia, Bruce Granville Miller, with whom I have stayed in touch. Edonguera is described as an island shrouded by a veil, whose inhabitants undertake missions to help those in need in our world before returning home, leaving visitors with only dreamlike memories.","The project's website hosts essays corresponding to songs, often written in-character by fictional narrators who also appear in the stories. These texts follow Makulelu, the invented persona who sings the songs, as he communicates with animals, journeys to spiritual realms, and aids people in need. The story of \"Maria de Marigadê\" is one of the best examples of this mission tradition and reflects the project's literary style.","This PDF collects these essays in their original Brazilian Portuguese, interwoven with the invented-language lyrics and accompanied by illustrations. It serves as documentation of the artistic process and an invitation for readers to engage with an open-ended, collaborative, and therapeutic creative experiment. 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The goal of ending poverty may be seen as a laudable objective and as a suspicious marketing and political tool (apparatus) for harnessing resources to powerful players or stakeholders. This means that the agenda's proponents and opponents draw on distinguishable rationalities, justifications and explanations.","We, therefore, welcome contributions that focus on the effects of UN policies on corporate-industrial-governmental, social and mainstream media, and traditional ethnographic settings; analyses of both critical and supportive positions; intersections of public health policy and medical issues such as vaccinations and infectious diseases. For instance, vaccination has been given various identities, explanations and justifications - from global stakeholders (who advocate for its uptake) to local stakeholders (who refuse or resent vaccination for different reasons). 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www.thesecretofmusic.com - All Rights Reserved ","credited_artists":"","credit_roles":[],"place":"","place_role":"Collection context","keywords":["The Secret of Music Playing Cards","video"],"description":"Sandro Haick – All instruments\nfilmed and edited by Mauricio Machado\nanimation by Rodrigo Ferrari-Nunes\n\nThe Secret of Music Playing Cards were created and designed by Rodrigo Ferrari-Nunes, Ph.D. and Sandro Haick. \nCopyright © 2018 www.osegredodamusica.com.br","doi":null,"link":"films.html#video-DBBrlXZdRJ4","image":"https://i.ytimg.com/vi/DBBrlXZdRJ4/hqdefault.jpg","embed":"https://www.youtube-nocookie.com/embed/DBBrlXZdRJ4","player":null,"sources":[{"label":"Original YouTube upload","url":"https://www.youtube.com/watch?v=DBBrlXZdRJ4"}],"collections":[],"lyrics":null,"patreon_post_url":null,"abstract":null,"event":null,"visibility":"public","audiences":[],"artwork":null,"location":null},{"id":"video-Qo5VaC5i258","music_id":null,"slug":null,"href":"/work/video-Qo5VaC5i258","title":"Jacob Collier e a Harmonia Negativa, Primeira Parte (Legendado)","medium":"Video","classification":"Video","kind":"Film","date":"2018-02-17","date_end":null,"date_precision":"day","date_label":"Upload / publication date","date_note":"","approximate":false,"recording_date":null,"project":"Performances & other films","primary_project_id":"performances-other-films","project_ids":["performances-other-films"],"people":["Rodrigo Ferrari-Nunes"],"credits":"www.osegredodamusica.com.br\nLegenda e Tradução, Rodrigo Ferrari-Nunes, Ph.D.\nvideo original por June Lee: ","credited_artists":"","credit_roles":[],"place":"","place_role":"Collection context","keywords":["Performances & other films","video"],"description":"www.osegredodamusica.com.br\nLegenda e Tradução, Rodrigo Ferrari-Nunes, Ph.D.\nvideo original por June Lee:","doi":null,"link":"films.html#video-Qo5VaC5i258","image":"https://i.ytimg.com/vi/Qo5VaC5i258/hqdefault.jpg","embed":"https://www.youtube-nocookie.com/embed/Qo5VaC5i258","player":null,"sources":[{"label":"Original YouTube upload","url":"https://www.youtube.com/watch?v=Qo5VaC5i258"}],"collections":[],"lyrics":null,"patreon_post_url":null,"abstract":null,"event":null,"visibility":"public","audiences":[],"artwork":null,"location":null},{"id":"oxford","music_id":null,"slug":null,"href":"/work/oxford","title":"Learning Music as a Game: Resisting the Creative and Socioeconomic Crisis in Brazil with Education and Invention","medium":"Conference","classification":"Conference","kind":"Conference","date":"2018","date_end":null,"date_precision":"year","date_label":"Conference year","date_note":"","approximate":false,"recording_date":null,"project":"Musical Cards","primary_project_id":"musical-cards","project_ids":["musical-cards"],"people":["Rodrigo Ferrari-Nunes"],"credits":"","credited_artists":"","credit_roles":[],"place":"Oxford, England","place_role":"","keywords":["learning","anthropology","games"],"description":"ASA 2018, Oxford.","doi":null,"link":null,"image":null,"embed":null,"player":null,"sources":[{"label":"Conference abstract","url":"https://nomadit.co.uk/conference/asa2018/paper/45832"}],"collections":[],"lyrics":null,"patreon_post_url":null,"abstract":{"kind":"Paper abstract","short":["This paper focuses on the creative trajectory, practices and epistemology forged by a group of three collaborators who sought to resist the current creative and sociocultural crisis in Brazil by forging a multifaceted and growing music education project."],"full":["This paper examines the creative strategies, novel concepts, epistemology and inventions that emerged from an international collaboration involving an anthropologist, a video producer, and a multi-instrumentalist musician forged to cope with and resist the socioeconomic and creative crisis in Brazil through actions in the realm of music education, including the design and release of a musical card set and various associated games.","For many, Brazil as a whole has been in a state of perpetual crisis, including socioeconomic, political, cultural-educational, and economic. With the rise of neoliberalism, the Internet and the growing accessibility of video production to online audiences with the potential for 'going viral' via social media, a new struggle in terms of creative practice, tradition, and education started taking shape among networks of professional and amateur musicians in Brazil. For many, the trendy musics being heavily promoted to young people is lacking in terms of lyrical, rhythmic, harmonic and melodic content, standing in contrast with the music traditions that once brought Brazil to the world stage, in particular genres like Chorinho, Samba, Bossa Nova, MPB, and the jazz and classical music infused instrumental musics of the 1970s.","Focusing on the trajectory of a music education project that I have joined in October 2016, this paper analyzes the combined crucial roles of collaboration, spirituality, intuition, epistemological and linguistic resonance, work as play, audiovisual production, and networking, in resisting the crisis spawned by mainstream musics during the current creative and socioeconomic crisis."],"source_label":"Conference abstract","source_url":"https://nomadit.co.uk/conference/asa2018/paper/45832"},"event":{"role":"Paper","conference":"ASA 2018, Oxford","association":"Association of Social Anthropologists of the UK and Commonwealth (ASA)","panel":"Cre06 · Creativity in crisis: arts in the age of austerity","place":"Oxford, England","presentation_date":null,"presentation_date_note":null,"convenors":null},"visibility":"public","audiences":[],"artwork":null,"location":null},{"id":"unimes","music_id":null,"slug":null,"href":"/work/unimes","title":"Invited International Researcher / academic collaborator","medium":"Research","classification":"Research","kind":"Research","date":"2018","date_end":"2024","date_precision":"year","date_label":"Year","date_note":"","approximate":false,"recording_date":null,"project":"UNIMES","primary_project_id":"unimes","project_ids":["unimes"],"people":["Rodrigo Ferrari-Nunes"],"credits":"","credited_artists":"","credit_roles":[],"place":"Santos, Brazil","place_role":"","keywords":[],"description":"Universidade Metropolitana de Santos. Research, writing and educational work across anthropology, music and culture.","doi":null,"link":null,"image":null,"embed":null,"player":null,"sources":[],"collections":[],"lyrics":null,"patreon_post_url":null,"abstract":null,"event":null,"visibility":"public","audiences":[],"artwork":null,"location":null},{"id":"conference-5","music_id":null,"slug":null,"href":"/work/conference-5","title":"The Resonance of Gratitude in Creative Practice and the Spiritual Wisdom of Indigenous Ways of Knowing: a Call for an Enchanted Anthropology","medium":"Conference","classification":"Conference","kind":"Conference","date":"2018","date_end":null,"date_precision":"year","date_label":"Conference year","date_note":"","approximate":false,"recording_date":null,"project":"Conferences & public talks","primary_project_id":"conferences-public-talks","project_ids":["conferences-public-talks"],"people":["Rodrigo Ferrari-Nunes"],"credits":"","credited_artists":"","credit_roles":[],"place":"Oxford","place_role":"","keywords":["conference","presentation","ASA 2018, Oxford."],"description":"ASA 2018, Oxford.","doi":null,"link":null,"image":null,"embed":null,"player":null,"sources":[{"label":"Conference abstract","url":"https://nomadit.co.uk/conference/asa2018/paper/46033"}],"collections":[],"lyrics":null,"patreon_post_url":null,"abstract":{"kind":"Paper abstract","short":["I posit that gratitude generates a positive resonance according to many indigenous ways of knowing and that we should reject materialist concepts from Freudian, Darwinian and Marxian theories."],"full":["I argue that the spirituality of all beings is certain and that enacting gratitude is central to understanding it. This realization calls for human actions and thought to be aligned and intertwined with the spiritual essence and combined wisdoms of indigenous ways of knowing; this may engender a restructuring of human institutions, a daunting task that can only be achieved through lasting collaborations and work.","I adopt a creative and reflexive approach for connecting indigenous ways of knowing with ethnographic work on improvisation, creativity, spirituality and religion. I take into account the Stó:lo notion of shxwelí, the 'spirit power that lives inside everything' (McHalsie 2007), consider my experiences among indigenous wisdom-inspired and spiritualist improvising musicians in Brazil, and how dream experiences affect the life trajectories in which all beings are implicated (Bohm 1980). Understanding and applying the wisdom of gratitude in our lives fosters positive forms of resonance and growth.","Anthropology's immersion in colonialist history and scientific modernity demands constant revision and skepticism regarding the concepts we adopt. Thus, we should be ever ready to change our ways of acting and thinking, embracing the 'threat of chaos' that follows from shifting a 'whole system of abductions' (Bateson 1979).","We should strive for the re-enchantment of anthropological thinking and the critical transformation of taken for granted scientific theories in biology and cosmology, their concepts and formulations. We should ultimately and decisively undermine atheistic and materialistic beliefs about life, especially those that emerged from Freudian, Marxian and Darwinian notions."],"source_label":"Conference abstract","source_url":"https://nomadit.co.uk/conference/asa2018/paper/46033"},"event":{"role":"Paper","conference":"ASA 2018, Oxford","association":"Association of Social Anthropologists of the UK and Commonwealth (ASA)","panel":"Cog07 · Throwing together ways of being/meaning: recursive anthropology at the cusp of a paradigm change [Roundtable]","place":"Oxford","presentation_date":null,"presentation_date_note":null,"convenors":null},"visibility":"public","audiences":[],"artwork":null,"location":null},{"id":"conference-7","music_id":null,"slug":null,"href":"/work/conference-7","title":"Understanding the Rise of the 21st Century ‘Flat Earth’ Movement From a Bundle of Popular Conspiracy Theories and Science Skepticism","medium":"Conference","classification":"Conference","kind":"Conference","date":"2018","date_end":null,"date_precision":"year","date_label":"Conference year","date_note":"","approximate":false,"recording_date":null,"project":"Conferences & public talks","primary_project_id":"conferences-public-talks","project_ids":["conferences-public-talks"],"people":["Rodrigo Ferrari-Nunes"],"credits":"","credited_artists":"","credit_roles":[],"place":"Stockholm","place_role":"","keywords":["conference","presentation","EASA, Stockholm."],"description":"EASA, Stockholm.","doi":null,"link":null,"image":null,"embed":null,"player":null,"sources":[{"label":"Conference abstract","url":"https://nomadit.co.uk/conference/easa2018/paper/44908"}],"collections":[],"lyrics":null,"patreon_post_url":null,"abstract":{"kind":"Paper abstract","short":["This paper analyzes the rhetoric behind the rise of the Flat Earth movement online and the political tactics of its different proponents. Its key proponents argue against 'scientism' and propose an alternative view of the earth and universe aligned with indigenous and phenomenological cosmologies."],"full":["Within the last three years, the Flat Earth 'community' and its 'movement' have emerged from a bundle of online conspiracy theories, and grew rapidly. By 2018, over 4 million videos focusing on questions raised by Flat Earth proponents have been posted on YouTube, amassing many millions of views, both supporting and rejecting the notion that the 'earth is not a spinning ball'. I analyze how key Flat Earth proponents construct different yet related narratives, weaving them with other conspiracy theories, and on their political tactics for mobilizing publics and followers. I focus on how they reference other 'truther' conspiracy theories that became popular since 9/11, such as questioning the lunar landings, weather manipulation, ancient aliens, secret societies in government, Hollywood's 'easter eggs', the Project 'Paper Clip' importing of Nazi scientists to the United States to found NASA, and Elon Musk's SpaceX orbiting car. Claiming objectivity, some of its major proponents question mainstream science as a quasi-religious doctrine of 'scientism' - a term that appears in the anthropological literature (e.g., Bourdieu 2004:85, 97, 107). This movement has received little or no anthropological attention since its inception, and yet, its proponents have organized and come together in international conferences held in the Netherlands (2016), the United States (2017) and in the United Kingdom (2018). Ingold (2001:209-218) is one of the only anthropologists who critiqued the notion of the earth as a globe, which contradicts many indigenous cosmologies and Ingold's own phenomenological cosmology of 'being in the world'."],"source_label":"Conference abstract","source_url":"https://nomadit.co.uk/conference/easa2018/paper/44908"},"event":{"role":"Paper","conference":"EASA 2018, Stockholm","association":"European Association of Social Anthropologists (EASA)","panel":"P110 · Things are not as they seem. 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This work bridges, musically, Shetland melodies with Brazilian rhythms and solos. All the images are part of my personal ethnographic archive, from my PhD fieldwork in the community (2012-2014).","credited_artists":"","credit_roles":[],"place":"Shetland, Scotland","place_role":"Collection context","keywords":["Shetland films & performances","video"],"description":"Louise Teunissen, flute. \nRodrigo Ferrari-Nunes, bass, guitars, percussion. \nchoroflute.wordpress.com\nshetlandspree.com This is a version of two Shetland reels by Ronnie Cooper that I made with  Louise Teunissen . This work bridges, musically, Shetland melodie","doi":null,"link":"shetland.html#video-oTwqDSKiNsM","image":"https://i.ytimg.com/vi/oTwqDSKiNsM/hqdefault.jpg","embed":"https://www.youtube-nocookie.com/embed/oTwqDSKiNsM","player":null,"sources":[{"label":"Original YouTube upload","url":"https://www.youtube.com/watch?v=oTwqDSKiNsM"},{"label":"Shetland journal","url":"https://shetlandmakesmusic.wordpress.com/2017/09/01/tushkar-and-marie-pottingers-reel-ronnie-cooper/"}],"collections":["shetland"],"lyrics":null,"patreon_post_url":null,"abstract":null,"event":null,"visibility":"public","audiences":[],"artwork":null,"location":null},{"id":"video-ldC49RCkNC4","music_id":null,"slug":null,"href":"/work/video-ldC49RCkNC4","title":"Epônina (Ernesto Nazareth)","medium":"Video","classification":"Video","kind":"Film","date":"2017-07-29","date_end":null,"date_precision":"day","date_label":"Upload / publication date","date_note":"","approximate":false,"recording_date":null,"project":"Louise Teunissen","primary_project_id":"louise","project_ids":["louise"],"people":["Rodrigo Ferrari-Nunes","Louise Teunissen"],"credits":"Louise Teunissen, flute.\nRodrigo Ferrari-Nunes, acoustic guitar. 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","credited_artists":"","credit_roles":[],"place":"","place_role":"Collection context","keywords":["With Louise Teunissen","video"],"description":"OCULTO (Pixinguinha)\nLouise Teunissen, flute. \nRodrigo Ferrari-Nunes, acoustic guitar.","doi":null,"link":"films.html#video-a74RKd8Cbos","image":"https://i.ytimg.com/vi/a74RKd8Cbos/hqdefault.jpg","embed":"https://www.youtube-nocookie.com/embed/a74RKd8Cbos","player":null,"sources":[{"label":"Original YouTube upload","url":"https://www.youtube.com/watch?v=a74RKd8Cbos"}],"collections":[],"lyrics":null,"patreon_post_url":null,"abstract":null,"event":null,"visibility":"public","audiences":[],"artwork":null,"location":null},{"id":"video-2hfzHPakxo0","music_id":null,"slug":null,"href":"/work/video-2hfzHPakxo0","title":"Fetlar Spree #8: Dingleberries","medium":"Video","classification":"Performance video","kind":"Film","date":"2017-02-11","date_end":null,"date_precision":"day","date_label":"Upload / publication date","date_note":"","approximate":false,"recording_date":null,"project":"Fetlar Spree","primary_project_id":"fetlar-spree","project_ids":["fetlar-spree"],"people":["Rodrigo Ferrari-Nunes"],"credits":"Fetlar Hall, Shetland. \nJuly 20th, 2014, around 4 in the morning. \n\nEwen Thomson, fiddle\nMaurice Henderson, fiddle\nAlison Laurenson, fiddle\nGemma Graham, fiddle\nKris Drever, guitar ¶ bass\nLewie Peterson, banjo\nHayden Hook, bass?\nPeter Gear, bass & guitar\n\nVideo and audio post production by Rodrigo Ferrari-Nunes, PhD. \nCopyright © 2017 All Rights Reserved ","credited_artists":"","credit_roles":[],"place":"Shetland, Scotland","place_role":"Collection context","keywords":["Fetlar Spree","video"],"description":"Fetlar Hall, Shetland. \nJuly 20th, 2014, around 4 in the morning. \n\nEwen Thomson, fiddle\nMaurice Henderson, fiddle\nAlison Laurenson, fiddle\nGemma Graham, fiddle\nKris Drever, guitar ¶ bass\nLewie Peterson, banjo\nHayden Hook, bass?\nPeter Gear, bass & guitar\n\nVide","doi":null,"link":"shetland.html#video-2hfzHPakxo0","image":"https://i.ytimg.com/vi/2hfzHPakxo0/hqdefault.jpg","embed":"https://www.youtube-nocookie.com/embed/2hfzHPakxo0","player":null,"sources":[{"label":"Original YouTube upload","url":"https://www.youtube.com/watch?v=2hfzHPakxo0"}],"collections":["shetland"],"lyrics":null,"patreon_post_url":null,"abstract":null,"event":null,"visibility":"public","audiences":[],"artwork":null,"location":null},{"id":"phd","music_id":null,"slug":null,"href":"/work/phd","title":"PhD Social Anthropology","medium":"Education","classification":"Education","kind":"Education","date":"2017","date_end":null,"date_precision":"year","date_label":"Year","date_note":"","approximate":false,"recording_date":null,"project":"Education","primary_project_id":"education","project_ids":["education"],"people":["Rodrigo Ferrari-Nunes"],"credits":"","credited_artists":"","credit_roles":[],"place":"Aberdeen, Scotland","place_role":"","keywords":[],"description":"University of Aberdeen. Degree awarded in 2017; SPREE is dated 2016 in the thesis repository.","doi":null,"link":null,"image":null,"embed":null,"player":null,"sources":[],"collections":[],"lyrics":null,"patreon_post_url":null,"abstract":null,"event":null,"visibility":"public","audiences":[],"artwork":null,"location":null},{"id":"video-Ig-qwn9CKdY","music_id":null,"slug":null,"href":"/work/video-Ig-qwn9CKdY","title":"Duet, Flute and Piano – Melodic Improvisation - 'Frequência Materna'","medium":"Video","classification":"Video","kind":"Film","date":"2016-09-26","date_end":null,"date_precision":"day","date_label":"Upload / publication date","date_note":"","approximate":false,"recording_date":null,"project":"Louise Teunissen","primary_project_id":"louise","project_ids":["louise"],"people":["Rodrigo Ferrari-Nunes","Louise Teunissen"],"credits":"Louise Teunissen, flute. \nRodrigo Ferrari-Nunes, piano. \nRecorded in Stompwijk, Netherlands. ","credited_artists":"","credit_roles":[],"place":"","place_role":"Collection context","keywords":["With Louise Teunissen","video"],"description":"Louise Teunissen, flute. \nRodrigo Ferrari-Nunes, piano. \nRecorded in Stompwijk, Netherlands.","doi":null,"link":"films.html#video-Ig-qwn9CKdY","image":"https://i.ytimg.com/vi/Ig-qwn9CKdY/hqdefault.jpg","embed":"https://www.youtube-nocookie.com/embed/Ig-qwn9CKdY","player":null,"sources":[{"label":"Original YouTube upload","url":"https://www.youtube.com/watch?v=Ig-qwn9CKdY"}],"collections":[],"lyrics":null,"patreon_post_url":null,"abstract":null,"event":null,"visibility":"public","audiences":[],"artwork":null,"location":null},{"id":"video-KYD9hMiznQc","music_id":null,"slug":null,"href":"/work/video-KYD9hMiznQc","title":"Troppo Funk plays Chameleon at the Legion 2014","medium":"Video","classification":"Performance video","kind":"Film","date":"2016-09-25","date_end":null,"date_precision":"day","date_label":"Upload / publication date","date_note":"","approximate":false,"recording_date":null,"project":"Shetland films & performances","primary_project_id":"shetland-films-performances","project_ids":["shetland-films-performances"],"people":["Rodrigo Ferrari-Nunes","Lewis Murray","Joe Watt"],"credits":"Troppo Funk: Chameleon (Herbie Hancock)\nNorman Willmore, EWI\nJoe Watt, guitar\nMax Tyler, keyboard\nHayden Hook, bass\nLewis Murray, drums\n\nfilmed and edited by Rodrigo Ferrari-Nunes, April 2014\nsound by Stevie Hook at WobblyGang Troppo Funk: Chameleon (Herbie Hancock) \nNorman Willmore, EWI \nJoe Watt, guitar \nMax Tyler, keyboard \nHayden Hook, bass \nLewis Murray, drums \n filmed and edited by Rodrigo Ferrari-Nunes, April 2014 \nsound by Stevie Hook at WobblyGang","credited_artists":"","credit_roles":[],"place":"Shetland, Scotland","place_role":"Collection context","keywords":["Shetland films & performances","video"],"description":"Troppo Funk: Chameleon (Herbie Hancock)\nNorman Willmore, EWI\nJoe Watt, guitar\nMax Tyler, keyboard\nHayden Hook, bass\nLewis Murray, drums\n\nfilmed and edited by Rodrigo Ferrari-Nunes, April 2014\nsound by Stevie Hook at WobblyGang Troppo Funk: Chameleon (Herbie Ha","doi":null,"link":"shetland.html#video-KYD9hMiznQc","image":"https://i.ytimg.com/vi/KYD9hMiznQc/hqdefault.jpg","embed":"https://www.youtube-nocookie.com/embed/KYD9hMiznQc","player":null,"sources":[{"label":"Original YouTube upload","url":"https://www.youtube.com/watch?v=KYD9hMiznQc"},{"label":"Shetland journal","url":"https://shetlandmakesmusic.wordpress.com/2016/09/24/troppo-funk-chameleon-at-the-legion/"}],"collections":["shetland"],"lyrics":null,"patreon_post_url":null,"abstract":null,"event":null,"visibility":"public","audiences":[],"artwork":null,"location":null},{"id":"video-hDAUbrSnKYM","music_id":null,"slug":null,"href":"/work/video-hDAUbrSnKYM","title":"Shetland Folk Festival 2013 – Final Fling Sessions at Islesburgh","medium":"Video","classification":"Performance video","kind":"Film","date":"2016-09-07","date_end":null,"date_precision":"day","date_label":"Upload / publication date","date_note":"","approximate":false,"recording_date":null,"project":"Shetland films & performances","primary_project_id":"shetland-films-performances","project_ids":["shetland-films-performances"],"people":["Rodrigo Ferrari-Nunes"],"credits":"with Bryan Gear, fiddle\nMaurice Henderson, fiddle\nApril Verch, fiddle\nDerek Hendry, piano\nAlison Laurenson, fiddle \nMichael Graubæk, fiddle\nDave Jackson, guitar\n\nRecorded by Rodrigo Ferrari-Nunes at the 2013 Shetland Folk Festival, Final Fling night. \n\nVideo Copyright © Rodrigo Ferrari-Nunes 2016\n\nAudiovisual Supplement to\nFerrari-Nunes, Rodrigo\n(2016) Spree: Shetland’s Epistemological Tradition of Music Making. 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Aberdeen, UK: University of Aberdeen. with Bryan Gear, fiddle \nMaurice Henderson, fiddle \nApril Verch, fiddle \nDerek Hendry, piano \nAlison Laurenson, fiddle \nMichael Graubæk, fiddle \nDave Jackson, guitar \n Recorded by Rodrigo Ferrari-Nunes at the 2013 Shetland Folk Festival, Final Fling night. \n Video Copyright © Rodrigo Ferrari-Nunes 2016 \n Nikon Camera audio restoration by Rodrigo Ferrari-Nunes, Leiden, Netherlands, 2016.","credited_artists":"","credit_roles":[],"place":"Shetland, Scotland","place_role":"Collection context","keywords":["Shetland films & performances","video"],"description":"with Bryan Gear, fiddle\nMaurice Henderson, fiddle\nApril Verch, fiddle\nDerek Hendry, piano\nAlison Laurenson, fiddle \nMichael Graubæk, fiddle\nDave Jackson, guitar\n\nRecorded by Rodrigo Ferrari-Nunes at the 2013 Shetland Folk Festival, Final Fling night. \n\nVideo C","doi":null,"link":"shetland.html#video-hDAUbrSnKYM","image":"https://i.ytimg.com/vi/hDAUbrSnKYM/hqdefault.jpg","embed":"https://www.youtube-nocookie.com/embed/hDAUbrSnKYM","player":null,"sources":[{"label":"Original YouTube upload","url":"https://www.youtube.com/watch?v=hDAUbrSnKYM"},{"label":"Shetland journal","url":"https://shetlandmakesmusic.wordpress.com/2016/09/07/shetland-folk-festival-2013-final-fling-sessions-at-islesburgh/"}],"collections":["shetland"],"lyrics":null,"patreon_post_url":null,"abstract":null,"event":null,"visibility":"public","audiences":[],"artwork":null,"location":null},{"id":"video-IiStj8XpHck","music_id":null,"slug":null,"href":"/work/video-IiStj8XpHck","title":"SMUHA Hop 2013, Guizer Jarl's Speech","medium":"Video","classification":"Performance video","kind":"Film","date":"2016-07-10","date_end":null,"date_precision":"day","date_label":"Upload / publication date","date_note":"","approximate":false,"recording_date":null,"project":"Shetland films & performances","primary_project_id":"shetland-films-performances","project_ids":["shetland-films-performances"],"people":["Rodrigo Ferrari-Nunes"],"credits":"South Mainland Up Helly Aa: The Hop Night at Cunningsburgh Hall (2013)\"\n\nOn the night of March 9th, 2013, the community of Cunningsburgh in Shetland gathered to celebrate the South Mainland Up Helly Aa—the island’s youngest fire festival—culminating in its now-traditional “Hop Night” at the local hall.\n\nThis video captures one of the evening’s high points: a live performance by Muddy Bay, joined partway through by the Guizer Jarl Squad, who entered in full Viking dress to perform and deliver a speech by that year’s Jarl, Dale Smith—appearing as Rognvald “The Wise” Eysteinsson, a legendary Norse figure whose lineage, according to lore, connects to the founding of Normandy and beyond.\n\nSet to music and ritual, this moment condenses the social energy of the event: the layered sounds of electric folk, the resonant acoustics of the community hall, the visual symbolism of costume and firelight, and the easy interweaving of humor, tradition, and kinship. It offers a glimpse not only into Up Helly Aa as spectacle, but also into the deeper resonances—interpersonal, performative, and historical—that sustain it as a living practice.\n\nThis recording is part of a broader ethnographic archive assembled during my fieldwork in Shetland (2012–2013), focused on music-making, identity, and the aesthetics of local celebration.\n\nMore materials at: March 9th 2013, Cunningsburgh, Shetland. South Mainland Up Helly Aa, the ‘HOP’ night. Maskarade had played their set, and Muddy Bay was onstage when the Jarl Squad joined them for a number of tunes, followed by a speech by  Rognvald “The Wise” Eysteinsson , Dale Smith. This clip provides us with a sense of the interpersonal, social, acoustic and visual resonances at play at Cunningsburgh Hall that night.","credited_artists":"","credit_roles":[],"place":"Shetland, Scotland","place_role":"Collection context","keywords":["Shetland films & performances","video"],"description":"South Mainland Up Helly Aa: The Hop Night at Cunningsburgh Hall (2013)\"\n\nOn the night of March 9th, 2013, the community of Cunningsburgh in Shetland gathered to celebrate the South Mainland Up Helly Aa—the island’s youngest fire festival—culminating in its now","doi":null,"link":"shetland.html#video-IiStj8XpHck","image":"https://i.ytimg.com/vi/IiStj8XpHck/hqdefault.jpg","embed":"https://www.youtube-nocookie.com/embed/IiStj8XpHck","player":null,"sources":[{"label":"Original YouTube upload","url":"https://www.youtube.com/watch?v=IiStj8XpHck"},{"label":"Shetland journal","url":"https://shetlandmakesmusic.wordpress.com/2016/07/11/smuha-hop-2013-rognvald-the-wise-eysteinsson/"}],"collections":["shetland"],"lyrics":null,"patreon_post_url":null,"abstract":null,"event":null,"visibility":"public","audiences":[],"artwork":null,"location":null},{"id":"secret","music_id":null,"slug":null,"href":"/work/secret","title":"O Segredo da Música: curriculum and audiovisual production","medium":"Music education","classification":"Music education","kind":"Music education","date":"2016","date_end":"present","date_precision":"year","date_label":"Year","date_note":"","approximate":false,"recording_date":null,"project":"Musical Cards","primary_project_id":"musical-cards","project_ids":["musical-cards"],"people":["Rodrigo Ferrari-Nunes","Sandro Haick"],"credits":"","credited_artists":"","credit_roles":[],"place":"","place_role":"","keywords":["animation","translation","teaching"],"description":"Curriculum, translation, video editing, animation and visual explanation in collaboration with Sandro Haick.","doi":null,"link":"films.html","image":null,"embed":null,"player":null,"sources":[],"collections":[],"lyrics":null,"patreon_post_url":null,"abstract":null,"event":null,"visibility":"public","audiences":[],"artwork":null,"location":null},{"id":"zenodo-15738772","music_id":null,"slug":null,"href":"/work/zenodo-15738772","title":"SPREE: Shetland's Epistemological Tradition of Music Making","medium":"Publication","classification":"Publication","kind":"Publication","date":"2016","date_end":null,"date_precision":"year","date_label":"Publication year","date_note":"","approximate":false,"recording_date":null,"project":"Shetland","primary_project_id":"shetland","project_ids":["shetland"],"people":["Rodrigo Ferrari-Nunes"],"credits":"","credited_artists":"","credit_roles":[],"place":"","place_role":"","keywords":["Thesis"],"description":"Doctoral thesis, University of Aberdeen.","doi":"10.5281/zenodo.15738772","link":"https://zenodo.org/records/15738772","image":null,"embed":null,"player":null,"sources":[{"label":"Read paper (Zenodo)","url":"https://zenodo.org/records/15738772"}],"collections":["shetland"],"lyrics":null,"patreon_post_url":null,"abstract":{"kind":"Abstract","short":[],"full":["This thesis engages with the social worlds of Shetlanders through active personal participation in the local music scene. I explore how locals articulate personal and social perspectives on the distinctiveness of Shetland’s music scene by reflecting on their own social experiences. The spree is explored ethnographically as the key local practice that manifests the principles of an epistemological tradition – a way of knowing and being that is shared across multiple generations.","I explore the evidence for existing interconnected epistemological principles, including horizontality (supporting people of all ages, genders, socioeconomic classes, cultural backgrounds and musical skill level), interpersonal and intergenerational knowledge, resourcefulness and nuance of character appreciation. Individuals know, describe and manifest these principles in their own characteristic, personal and changing ways. The appreciation of individual idiosyncrasies, life stories and skills in Shetland is not necessarily aligned with a model of competitive individualism of neoliberal capitalism, but with a local principle of equality and horizontality, founded on spree practices.","Based on open principles, this epistemological tradition supports engagement with past, current and novel forms of musical expression, remaining open to outside influences. As a fluid, living form, understanding it requires a leap beyond static models of tradition that seek the preservation of idealised authentic forms, canonical-aesthetic orthodoxies, and social boundaries. The spree remains stable and resilient as a principled way of being, providing a model for interactions with locals and outsiders, and affording the growth of a closely-knit social support network."],"source_label":"Zenodo record metadata (DataCite)","source_url":"https://doi.org/10.5281/zenodo.15738772"},"event":null,"visibility":"public","audiences":[],"artwork":null,"location":null},{"id":"conference-8","music_id":null,"slug":null,"href":"/work/conference-8","title":"Decomposing as Recomposing: Stylistic Complementarity and Growth in Shetland","medium":"Conference","classification":"Conference","kind":"Conference","date":"2016","date_end":null,"date_precision":"year","date_label":"Conference year","date_note":"","approximate":false,"recording_date":null,"project":"Shetland","primary_project_id":"shetland","project_ids":["shetland"],"people":["Rodrigo Ferrari-Nunes"],"credits":"","credited_artists":"","credit_roles":[],"place":"Durham","place_role":"","keywords":["conference","presentation","ASA, Durham."],"description":"ASA, Durham.","doi":null,"link":null,"image":null,"embed":null,"player":null,"sources":[{"label":"Conference abstract","url":"https://nomadit.co.uk/conference/asa2016/paper/28898"},{"label":"Conference programme","url":"https://www.theasa.org/downloads/conferences/asa16/asa16programme.pdf"}],"collections":["shetland"],"lyrics":null,"patreon_post_url":null,"abstract":{"kind":"Paper abstract","short":["This paper disputes the notion that cultural dissolution comes from 'the outside', by showing how Shetland’s epistemological tradition of music making affords the incorporation and integration of outside musical influences and people to strengthen a sense of personal, social and cultural character."],"full":["In this paper, I consider how metaphors linked to notions of cultural decomposition and dissolution emerged from experiences among sociomusical scene participants in the Shetland Islands (2012-2014). During archival research, I encountered the interpretation that outside musical styles, such as American country and western, threatened local traditional music with extinction (Cohen 1987), erroneously associated with fiddlers in touristic brochures. Cultural boundaries were either threatened by 'mainstream' outside influences (Cohen 1987) or the same influences would, with waves of development change, free islanders from their supposed involuted cultural uniformity (Byron 1983). For others, the discovery of oil in the North Sea in the 1970s spawned irrational fears among locals, prompting them to invent a Shetland 'way of life' (e.g., Black 1995). This interpretation supposed that locals were unaware of their own cultural practices, family and mobility histories, until the arrival of the oil industry threatened to dissolve them. However, my involvement with the musical community showed that an epistemological tradition of music making has been developed over the last few centuries, founded upon principles of sociability and mutuality, which make the incorporation of outside musical influences strengthen local productions and connections. Ethnographers have been inspired to document the uniqueness of societies before homogenizing structural forces, now associated with neoliberal and western mores (Ganti 2014, Wilf 2014), degenerate, dissolve, and assimilate them. Yet, the resilience of cultural identities and alternative social configurations, despite structural forces, indicates that decomposition, dissolution and degeneration are cultural and life processes that afford myriad creative responses."],"source_label":"Conference abstract","source_url":"https://nomadit.co.uk/conference/asa2016/paper/28898"},"event":{"role":"Paper","conference":"ASA 2016, Durham","association":"Association of Social Anthropologists of the UK and Commonwealth (ASA)","panel":"P05 · Decomposition: materials and images in time","place":"Durham","presentation_date":"2016-07-05","presentation_date_note":"Panel P05, 16:00–17:30 session, in the official programme","convenors":null},"visibility":"public","audiences":[],"artwork":null,"location":null},{"id":"video-KE7eaADNY9A","music_id":null,"slug":null,"href":"/work/video-KE7eaADNY9A","title":"Fetlar Spree #7: Da Fetlar Foxtrot","medium":"Video","classification":"Performance video","kind":"Film","date":"2015-12-11","date_end":null,"date_precision":"day","date_label":"Upload / publication date","date_note":"","approximate":false,"recording_date":null,"project":"Fetlar Spree","primary_project_id":"fetlar-spree","project_ids":["fetlar-spree"],"people":["Rodrigo Ferrari-Nunes"],"credits":"Joe Jamieson, fiddle.\nMaurice Henderson, fiddle.\nKris Drever, acoustic guitar.\n\nPerformed at the Fetlar Hall, July 19th 2014.\n\nFor the Love of Folk presents: North Atlantic Sessions. Organised by Maurice Henderson, Lois Nicol and Lewie Peterson.\n\nLive Audio by Jonathan Ritch.\nFilmed and Recorded by Rodrigo Ferrari-Nunes in the Isle of Fetlar, Shetland, UK.\nAudiovisual postproduction by Rodrigo Ferrari-Nunes.\n\nAudiovisual Supplement to\nFerrari-Nunes, Rodrigo\n(2016) Spree: Shetland’s Epistemological Tradition of Music Making. PhD Dissertation in Social Anthropology. Aberdeen, UK: University of Aberdeen. Online, Joe Jamieson, fiddle. \nMaurice Henderson, fiddle. \nKris Drever, acoustic guitar. \n Performed at the Fetlar Hall, July 19th 2014. \n For the Love of Folk presents: North Atlantic Sessions. Organised by Maurice Henderson, Lois Nicol and Lewie Peterson. \n Live Audio by Jonathan Ritch. \nFilmed and Recorded by Rodrigo Ferrari-Nunes in the Isle of Fetlar, Shetland, UK. \nAudiovisual postproduction by Rodrigo Ferrari-Nunes. \n Audiovisual Supplement to \nFerrari-Nunes, Rodrigo \n(2016) Spree: Shetland’s Epistemological Tradition of Music Making. PhD Dissertation in Social Anthropology. Aberdeen, UK: University of Aberdeen. Online,   \n Maurice Henderson and Joe Jamieson","credited_artists":"","credit_roles":[],"place":"Shetland, Scotland","place_role":"Collection context","keywords":["Fetlar Spree","video"],"description":"Joe Jamieson, fiddle.\nMaurice Henderson, fiddle.\nKris Drever, acoustic guitar.\n\nPerformed at the Fetlar Hall, July 19th 2014.\n\nFor the Love of Folk presents: North Atlantic Sessions. 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The Mouth of the Tobique (French Canadian Trad).\n3. Dinky's (Irish Trad).\n\nTeevliks:\n\nMartha Thomson, fiddle. \nPatrick Mainland, guitar. \nMax Tyler, keys. \nHayden Hook, bass. \nNorman Willmore, drums. \n\nFriends:\n\nLois Nicol, fiddle. \nLiza Fullerton, fiddle. \nMary Rutherford, fiddle. \nLewie Peterson, banjo.   \nEwen Thomson, fiddle. \nMaurice Henderson, fiddle. \nAlison Laurenson, fiddle. \n\nPerformed at the Fetlar Hall, July 19th 2014.\nFor the Love of Folk presents: North Atlantic Sessions.\nOrganised by Maurice Henderson, Lois Nicol and Lewie Peterson.\nLive Audio by Jonathan Ritch.\n\nFilmed and Recorded in the Isle of Fetlar, Shetland, by Rodrigo Ferrari-Nunes. \nAudio postproduction by Stevie Hook at WobblyGang, September 2014. \nVisual postproduction by Rodrigo Ferrari-Nunes, December 2015.\n\nAudiovisual Supplement to\nFerrari-Nunes, Rodrigo\n(2016) Spree: Shetland's Epistemological Tradition of Music Making. PhD Dissertation in Social Anthropology. Aberdeen, UK: University of Aberdeen. Online, www.shetlandspree.com Tune SET: \n 1. 60 Fathom Reel (Alex Couper). \n2. The Mouth of the Tobique (French Canadian Trad). \n3. Dinky’s (Irish Trad). \n Teevliks: \n Martha Thomson, fiddle. \nPatrick Mainland, guitar. \nMax Tyler, keys. \nHayden Hook, bass. \nNorman Willmore, drums. \n Friends: \n Lois Nicol, fiddle. \nLiza Fullerton, fiddle. \nMary Rutherford, fiddle. \nLewie Peterson, banjo. \nEwen Thomson, fiddle. \nMaurice Henderson, fiddle. \nAlison Laurenson, fiddle. \n Performed at the Fetlar Hall, July 19th 2014. \nFor the Love of Folk presents: North Atlantic Sessions. \nOrganised by Maurice Henderson, Lois Nicol and Lewie Peterson. \nLive Audio by Jonathan Ritch. \n Filmed and Recorded in the Isle of Fetlar, Shetland, by Rodrigo Ferrari-Nunes. \nAudio postproduction by Stevie Hook at WobblyGang, September 2014. \nVisual postproduction by Rodrigo Ferrari-Nunes, December 2015. \n Audiovisual Supplement to \nFerrari-Nunes, Rodrigo \n(2016) Spree: Shetland’s Epistemological Tradition of Music Making. PhD Dissertation in Social Anthropology. Aberdeen, UK: University of Aberdeen. 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Audiovisual postproduction by Rodrigo Ferrari-Nunes, December 2015.\n\nAudiovisual Supplement to\nFerrari-Nunes, Rodrigo\n(2016) Spree: Shetland's Epistemological Tradition of Music Making. PhD Dissertation in Social Anthropology. Aberdeen, UK: University of Aberdeen. Online, www.shetlandspree.com Kris Drever, vocals and guitar. \nLouise Thomason, backing vocals. \nHayden Michael Zappa Hook, bass. \nAlison Laurenson, snare. \n Performed at the Fetlar Hall, July 19th 2014. \nFor the Love of Folk presents: North Atlantic Sessions. \nOrganised by Maurice Henderson, Lois Nicol and Lewie Peterson. \nLive Audio by Jonathan Ritch. \n Filmed and Recorded in the Isle of Fetlar, Shetland, UK, July 19th, 2014 by Rodrigo Ferrari-Nunes. Audiovisual postproduction by Rodrigo Ferrari-Nunes, December 2015. \n Audiovisual Supplement to \nFerrari-Nunes, Rodrigo \n(2016) Spree: Shetland’s Epistemological Tradition of Music Making. PhD Dissertation in Social Anthropology. 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Audio postproduction by Stevie Hook at WobblyGang. Video postproduction by Rodrigo Ferrari-Nunes, November 2015.\n\nAudiovisual Supplement to\nFerrari-Nunes, Rodrigo\n(2016) Spree: Shetland's Epistemological Tradition of Music Making. PhD Dissertation in Social Anthropology. Aberdeen, UK: University of Aberdeen. Online, www.shetlandspree.com Mary Rutherford, fiddle. \nKris Drever, guitar. \nHayden Michael Zappa Hook, bass. \n Performed at the Fetlar Hall, July 19th 2014. \nFor the Love of Folk presents: North Atlantic Sessions. \nOrganised by Maurice Henderson, Lois Nicol and Lewie Peterson. \nLive Audio by Jonathan Ritch. \n Filmed and Recorded in the Isle of Fetlar, Shetland, UK, July 19th-20th, 2014 by Rodrigo Ferrari-Nunes. Audio postproduction by Stevie Hook at WobblyGang. Video postproduction by Rodrigo Ferrari-Nunes, November 2015. \n Audiovisual Supplement to \nFerrari-Nunes, Rodrigo \n(2016) Spree: Shetland’s Epistemological Tradition of Music Making. PhD Dissertation in Social Anthropology. Aberdeen, UK: University of Aberdeen. Online,","credited_artists":"","credit_roles":[],"place":"Shetland, Scotland","place_role":"Collection context","keywords":["Fetlar Spree","video"],"description":"Mary Rutherford, fiddle.\nKris Drever, guitar.\nHayden Michael Zappa Hook, bass.\n\nPerformed at the Fetlar Hall, July 19th 2014.\nFor the Love of Folk presents: North Atlantic Sessions.\nOrganised by Maurice Henderson, Lois Nicol and Lewie Peterson.\nLive Audio by J","doi":null,"link":"shetland.html#video-baefNK_lzbI","image":"https://i.ytimg.com/vi/baefNK_lzbI/hqdefault.jpg","embed":"https://www.youtube-nocookie.com/embed/baefNK_lzbI","player":null,"sources":[{"label":"Original YouTube upload","url":"https://www.youtube.com/watch?v=baefNK_lzbI"},{"label":"Shetland journal","url":"https://shetlandmakesmusic.wordpress.com/2015/11/29/fetlar-spree-4-beeswing-hornpipe-mam-and-dads-reel/"}],"collections":["shetland"],"lyrics":null,"patreon_post_url":null,"abstract":null,"event":null,"visibility":"public","audiences":[],"artwork":null,"location":null},{"id":"video-jl8e59ETPU0","music_id":null,"slug":null,"href":"/work/video-jl8e59ETPU0","title":"Fetlar Spree #3: Winyadepla and Hjogravylta","medium":"Video","classification":"Performance video","kind":"Film","date":"2015-11-27","date_end":null,"date_precision":"day","date_label":"Upload / publication date","date_note":"","approximate":false,"recording_date":null,"project":"Fetlar Spree","primary_project_id":"fetlar-spree","project_ids":["fetlar-spree"],"people":["Rodrigo Ferrari-Nunes"],"credits":"Joe Jamieson, fiddle.\nMaurice Henderson, fiddle.\nKris Drever, acoustic guitar.\n\nPerformed at the Fetlar Hall, July 19th 2014.\n\nFor the Love of Folk presents: North Atlantic Sessions. Organised by Maurice Henderson, Lois Nicol and Lewie Peterson.\n\nLive Audio by Jonathan Ritch.\nFilmed and Recorded by Rodrigo Ferrari-Nunes in the Isle of Fetlar, Shetland, UK.\nAudiovisual postproduction by Rodrigo Ferrari-Nunes.\n\nAudiovisual Supplement to\nFerrari-Nunes, Rodrigo\n(2016) Spree: Shetland’s Epistemological Tradition of Music Making. PhD Dissertation in Social Anthropology. Aberdeen, UK: University of Aberdeen. Online, Joe Jamieson, fiddle. \nMaurice Henderson, fiddle. \nKris Drever, acoustic guitar. \nPerformed at the Fetlar Hall, July 19th 2014. \n For the Love of Folk presents: North Atlantic Sessions. Organised by Maurice Henderson, Lois Nicol and Lewie Peterson. \nLive Audio by Jonathan Ritch. \nFilmed and Recorded by Rodrigo Ferrari-Nunes in the Isle of Fetlar, Shetland, UK. \nAudiovisual postproduction by Rodrigo Ferrari-Nunes. \n Audiovisual Supplement to \nFerrari-Nunes, Rodrigo \n(2016) Spree: Shetland’s Epistemological Tradition of Music Making. PhD Dissertation in Social Anthropology. Aberdeen, UK: University of Aberdeen. Online –","credited_artists":"","credit_roles":[],"place":"Shetland, Scotland","place_role":"Collection context","keywords":["Fetlar Spree","video"],"description":"Joe Jamieson, fiddle.\nMaurice Henderson, fiddle.\nKris Drever, acoustic guitar.\n\nPerformed at the Fetlar Hall, July 19th 2014.\n\nFor the Love of Folk presents: North Atlantic Sessions. Organised by Maurice Henderson, Lois Nicol and Lewie Peterson.\n\nLive Audio by","doi":null,"link":"shetland.html#video-jl8e59ETPU0","image":"https://i.ytimg.com/vi/jl8e59ETPU0/hqdefault.jpg","embed":"https://www.youtube-nocookie.com/embed/jl8e59ETPU0","player":null,"sources":[{"label":"Original YouTube upload","url":"https://www.youtube.com/watch?v=jl8e59ETPU0"},{"label":"Shetland journal","url":"https://shetlandmakesmusic.wordpress.com/2015/11/27/fetlar-spree-3-winyadepla-and-hjogravylta/"}],"collections":["shetland"],"lyrics":null,"patreon_post_url":null,"abstract":null,"event":null,"visibility":"public","audiences":[],"artwork":null,"location":null},{"id":"video-1H9PU-zAavA","music_id":null,"slug":null,"href":"/work/video-1H9PU-zAavA","title":"Fetlar Spree #2: Jerusalem's Ridge","medium":"Video","classification":"Performance video","kind":"Film","date":"2015-11-23","date_end":null,"date_precision":"day","date_label":"Upload / publication date","date_note":"","approximate":false,"recording_date":null,"project":"Fetlar Spree","primary_project_id":"fetlar-spree","project_ids":["fetlar-spree"],"people":["Rodrigo Ferrari-Nunes"],"credits":"Peter Gear, fiddle. \nEwen Thomson, fiddle.\nMaurice Henderson, fiddle.\nJonny Polson, guitar.\nKris Drever, guitar. \nBryan Peterson, bass. \nLewie Peterson, banjo. \n\nPerformed at the Fetlar Hall, July 19th 2014.  \n\nFor the Love of Folk presents: North Atlantic Sessions.\nOrganized by Maurice Henderson, Lois Nicol and Lewie Peterson.\nLive Audio by Jonathan Ritch. \nFilmed and Recorded in the Isle of Fetlar (and Yell), \nShetland, UK, July 19th-20th, 2014 by Rodrigo Ferrari-Nunes.\nAudiovisual postproduction by Rodrigo Ferrari-Nunes, November 2015.\n\nAudiovisual Supplement to \nFerrari-Nunes, Rodrigo \n(2016) Spree: Shetland's Epistemological Tradition of Music Making. PhD Dissertation in Social Anthropology. Aberdeen, UK: University of Aberdeen. Online, www.shetlandspree.com Peter Gear, fiddle. \nEwen Thomson, fiddle. \nMaurice Henderson, fiddle. \nJonny Polson, guitar. \nKris Drever, guitar. \nBryan Peterson, bass. \nLewie Peterson, banjo. \n Performed at the Fetlar Hall, July 19th 2014. (read the local  REVIEW ) \n For the Love of Folk presents: North Atlantic Sessions. \nOrganized by Maurice Henderson, Lois Nicol and Lewie Peterson. \nLive Audio by Jonathan Ritch. \n Filmed and Recorded in the Isle of Fetlar (and Yell), \nShetland, UK, July 19th-20th, 2014 by Rodrigo Ferrari-Nunes. \nAudiovisual postproduction by Rodrigo Ferrari-Nunes, November 2015. \n Audiovisual Supplement to \nFerrari-Nunes, Rodrigo \n(2016) Spree: Shetland’s Epistemological Tradition of Music Making. PhD Dissertation in Social Anthropology. Aberdeen, UK: University of Aberdeen. Online,","credited_artists":"","credit_roles":[],"place":"Shetland, Scotland","place_role":"Collection context","keywords":["Fetlar Spree","video"],"description":"Peter Gear, fiddle. \nEwen Thomson, fiddle.\nMaurice Henderson, fiddle.\nJonny Polson, guitar.\nKris Drever, guitar. \nBryan Peterson, bass. \nLewie Peterson, banjo. \n\nPerformed at the Fetlar Hall, July 19th 2014.  \n\nFor the Love of Folk presents: North Atlantic Ses","doi":null,"link":"shetland.html#video-1H9PU-zAavA","image":"https://i.ytimg.com/vi/1H9PU-zAavA/hqdefault.jpg","embed":"https://www.youtube-nocookie.com/embed/1H9PU-zAavA","player":null,"sources":[{"label":"Original YouTube upload","url":"https://www.youtube.com/watch?v=1H9PU-zAavA"},{"label":"Shetland journal","url":"https://shetlandmakesmusic.wordpress.com/2015/11/24/fetlar-spree-2-jerusalems-ridge/"}],"collections":["shetland"],"lyrics":null,"patreon_post_url":null,"abstract":null,"event":null,"visibility":"public","audiences":[],"artwork":null,"location":null},{"id":"video-zzltdhxsRgs","music_id":null,"slug":null,"href":"/work/video-zzltdhxsRgs","title":"Fetlar Spree #1: Ewen and Peter","medium":"Video","classification":"Performance video","kind":"Film","date":"2015-11-19","date_end":null,"date_precision":"day","date_label":"Upload / publication date","date_note":"","approximate":false,"recording_date":null,"project":"Fetlar Spree","primary_project_id":"fetlar-spree","project_ids":["fetlar-spree"],"people":["Rodrigo Ferrari-Nunes"],"credits":"Download MP3 audio: \n\nPeter Gear, fiddle. \nEwen Thomson, acoustic guitar.\nPerformed at the Fetlar Hall. \nFor the Love of Folk presents: North Atlantic Sessions.\nOrganized by Maurice Henderson, Lois Nicol and Lewie Peterson.\nLive Audio by Jonathan Ritch. \nFilmed and Recorded in the Isle of Fetlar (and Yell), \nShetland, UK, July 19th-20th, 2014 by Rodrigo Ferrari-Nunes.\nAudiovisual postproduction by Rodrigo Ferrari-Nunes, November 2015.\n\nAudiovisual Supplement to \nFerrari-Nunes, Rodrigo \n(2016) Spree: Shetland's Epistemological Tradition of Music Making. PhD Dissertation in Social Anthropology. Aberdeen, UK: University of Aberdeen. Online, www.shetlandspree.com Right click to  download the MP3 audio file . \n The ‘Fetlar spree’ took place on July 19th and 20th, 2014. The event, ‘For the Love of Folk Presents: North Atlantic Sessions’ was organized by Maurice Henderson, Lois Nicol and Lewie Peterson. My audiovisual recordings start at 9:34 am on July 19th and end at 5:14 am on July 20th. The spree continued, and the most experienced spreers stayed up all night. They continued the next day, went back to The Lounge in Lerwick for more tunes, and eventually were invited aboard a Norwegian sailboat, where they played until the next morning. \n Play audio:   \n This tune, by Peter Gear (fiddle) and Ewen Thomson (acoustic guitar), was a small part of their performance set, which also included collaborations with other musicians. The other video selections range from the morning at the Isle of Yell and the crossing by ferry to Fetlar, to early in the morning at the back of the Fetlar Hall, where the spree took place.  Other musicians also appear in the video, including Norman Willmore, Gemma Graham, Kris Drever, Maurice Henderson, Max Tyler, Chloe Robertson, Martha Thomson, Hayden Hook, Jonathan Ritch, Alice Mullay, Patrick Mainland, Lois Nicol, Lewie Peterson, Lisa Fullerton, Alison Kay, Bryan Peterson and Jonny Polson.","credited_artists":"","credit_roles":[],"place":"Shetland, Scotland","place_role":"Collection context","keywords":["Fetlar Spree","video"],"description":"Download MP3 audio: \n\nPeter Gear, fiddle. \nEwen Thomson, acoustic guitar.\nPerformed at the Fetlar Hall. \nFor the Love of Folk presents: North Atlantic Sessions.\nOrganized by Maurice Henderson, Lois Nicol and Lewie Peterson.\nLive Audio by Jonathan Ritch. \nFilme","doi":null,"link":"shetland.html#video-zzltdhxsRgs","image":"https://i.ytimg.com/vi/zzltdhxsRgs/hqdefault.jpg","embed":"https://www.youtube-nocookie.com/embed/zzltdhxsRgs","player":null,"sources":[{"label":"Original YouTube upload","url":"https://www.youtube.com/watch?v=zzltdhxsRgs"},{"label":"Shetland journal","url":"https://shetlandmakesmusic.wordpress.com/2015/11/19/1-fetlar-spree-july-2014-ewen-and-peter/"}],"collections":["shetland"],"lyrics":null,"patreon_post_url":null,"abstract":null,"event":null,"visibility":"public","audiences":[],"artwork":null,"location":null},{"id":"video-LzceuoKiWtA","music_id":null,"slug":null,"href":"/work/video-LzceuoKiWtA","title":"In Studio with Stevie Hook","medium":"Video","classification":"Performance video","kind":"Film","date":"2015-05-24","date_end":null,"date_precision":"day","date_label":"Upload / publication date","date_note":"","approximate":false,"recording_date":null,"project":"Shetland films & performances","primary_project_id":"shetland-films-performances","project_ids":["shetland-films-performances"],"people":["Rodrigo Ferrari-Nunes","Joe Watt"],"credits":"Produced by Rodrigo Ferrari-Nunes and Joe Watt for Contemporary Alternative Productions Shetland, 2014-2015. A conversation with Stevie about his views on music making, the studio he built, and living the good life. Making this video showed me how commercially-oriented and ethnographic models for interviewing and finishing audiovisual projects can follow different processes and lead into interesting discussions. \n Produced by Rodrigo Ferrari-Nunes and Joe Watt for Contemporary Alternative Productions Shetland, 2014-2015.","credited_artists":"","credit_roles":[],"place":"Shetland, Scotland","place_role":"Collection context","keywords":["Shetland films & performances","video"],"description":"Produced by Rodrigo Ferrari-Nunes and Joe Watt for Contemporary Alternative Productions Shetland, 2014-2015. A conversation with Stevie about his views on music making, the studio he built, and living the good life. Making this video showed me how commercially","doi":null,"link":"shetland.html#video-LzceuoKiWtA","image":"https://i.ytimg.com/vi/LzceuoKiWtA/hqdefault.jpg","embed":"https://www.youtube-nocookie.com/embed/LzceuoKiWtA","player":null,"sources":[{"label":"Original YouTube upload","url":"https://www.youtube.com/watch?v=LzceuoKiWtA"},{"label":"Shetland journal","url":"https://shetlandmakesmusic.wordpress.com/2015/05/24/in-studio-with-stevie-hook/"}],"collections":["shetland"],"lyrics":null,"patreon_post_url":null,"abstract":null,"event":null,"visibility":"public","audiences":[],"artwork":null,"location":null},{"id":"video-8rplaTgK4Kg","music_id":null,"slug":null,"href":"/work/video-8rplaTgK4Kg","title":"Scandilicious Cooking with Kollifirbolli","medium":"Video","classification":"Performance video","kind":"Film","date":"2015-04-25","date_end":null,"date_precision":"day","date_label":"Upload / publication date","date_note":"","approximate":false,"recording_date":null,"project":"Shetland films & performances","primary_project_id":"shetland-films-performances","project_ids":["shetland-films-performances"],"people":["Rodrigo Ferrari-Nunes","Joe Watt"],"credits":"with Kollifirbolli:\n\nAstryd Jamieson, piano\nKaela Jamieson, fiddle\nMary Rutherford, fiddle\n\nThe first set is Pernambuco (Kaela Jamieson) followed by The Quitter (Liz Carrol)... Credits follow with  Bohemian Fiddle (Kaela Jamieson), from Kollifirbolli's album. \n\nfilmed and edited by Rodrigo Ferrari-Nunes\nmusic audio recorded and mixed by Joe Watt\n\nCopyright© Kollifirbolli and Contemporary Alternative Productions Shetland 2015. Astryd Jamieson, piano. \nKaela Jamieson, fiddle. \nMary Rutherford, Fiddle. \n See also Kollifirbolli (2013)   Careful Mixing is the Secret to Success . \n Performed in Tingwall, Shetland. \nAudio by Joe Watt. \nVideo by Rodrigo Ferrari-Nunes. \nProduced for Contemporary Alternative Productions Shetland, 2014-2015.","credited_artists":"","credit_roles":[],"place":"Shetland, Scotland","place_role":"Collection context","keywords":["Shetland films & performances","video"],"description":"with Kollifirbolli:\n\nAstryd Jamieson, piano\nKaela Jamieson, fiddle\nMary Rutherford, fiddle\n\nThe first set is Pernambuco (Kaela Jamieson) followed by The Quitter (Liz Carrol)... Credits follow with  Bohemian Fiddle (Kaela Jamieson), from Kollifirbolli's album.","doi":null,"link":"shetland.html#video-8rplaTgK4Kg","image":"https://i.ytimg.com/vi/8rplaTgK4Kg/hqdefault.jpg","embed":"https://www.youtube-nocookie.com/embed/8rplaTgK4Kg","player":null,"sources":[{"label":"Original YouTube upload","url":"https://www.youtube.com/watch?v=8rplaTgK4Kg"},{"label":"Shetland journal","url":"https://shetlandmakesmusic.wordpress.com/2015/04/25/scandilicious-cooking-with-kollifirbolli/"}],"collections":["shetland"],"lyrics":null,"patreon_post_url":null,"abstract":null,"event":null,"visibility":"public","audiences":[],"artwork":null,"location":null},{"id":"cards","music_id":null,"slug":null,"href":"/work/cards","title":"Musical Cards: co-invention and pedagogy","medium":"Music education","classification":"Music education","kind":"Music education","date":"2015","date_end":"present","date_precision":"year","date_label":"Year","date_note":"","approximate":true,"recording_date":null,"project":"Musical Cards","primary_project_id":"musical-cards","project_ids":["musical-cards"],"people":["Rodrigo Ferrari-Nunes","Sandro Haick"],"credits":"","credited_artists":"","credit_roles":[],"place":"","place_role":"","keywords":["learning","cards","improvisation"],"description":"Co-invented with Sandro Haick. 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Produced by Ewan Nowak; Rodrigo Ferrari-Nunes on bass.","doi":null,"link":"projects/a-good-haul.html","image":"/assets/spoothawk.jpg","embed":null,"player":{"embed":"https://www.youtube-nocookie.com/embed/videoseries?list=OLAK5uy_nw10yBDXHVMY1zM1RAZZy1oqJejx7EtI8","provider":"YouTube","title":"A Good Haul","external":"https://www.youtube.com/playlist?list=OLAK5uy_nw10yBDXHVMY1zM1RAZZy1oqJejx7EtI8"},"sources":[{"label":"YouTube","url":"https://www.youtube.com/playlist?list=OLAK5uy_nw10yBDXHVMY1zM1RAZZy1oqJejx7EtI8"},{"label":"Spotify","url":"https://open.spotify.com/album/6ER3rhOYaQaCSJQRWiTQoW"},{"label":"YouTube Music","url":"https://music.youtube.com/playlist?list=OLAK5uy_nw10yBDXHVMY1zM1RAZZy1oqJejx7EtI8"},{"label":"Amazon","url":"https://amazon.com/dp/B00X98WHFG"},{"label":"Amazon Music","url":"https://music.amazon.com/albums/B00X98WHFG"},{"label":"Deezer","url":"https://www.deezer.com/album/10457224"},{"label":"TIDAL","url":"https://listen.tidal.com/album/58095996"},{"label":"Release listing","url":"https://www.shetnews.co.uk/2015/04/24/review-spoothawk-addictive-listening/"}],"collections":["shetland"],"lyrics":null,"patreon_post_url":null,"abstract":null,"event":null,"visibility":"public","audiences":[],"artwork":null,"location":null},{"id":"conference-9","music_id":null,"slug":null,"href":"/work/conference-9","title":"On Creativity","medium":"Conference","classification":"Conference","kind":"Conference","date":"2015","date_end":null,"date_precision":"year","date_label":"Conference year","date_note":"","approximate":false,"recording_date":null,"project":"Conferences & public talks","primary_project_id":"conferences-public-talks","project_ids":["conferences-public-talks"],"people":["Rodrigo Ferrari-Nunes"],"credits":"","credited_artists":"","credit_roles":[],"place":"Barcelona","place_role":"","keywords":["conference","presentation","VANEASA, Barcelona."],"description":"VANEASA, Barcelona.","doi":null,"link":null,"image":null,"embed":null,"player":null,"sources":[],"collections":[],"lyrics":null,"patreon_post_url":null,"abstract":null,"event":{"role":"Talk","conference":"VANEASA, Barcelona","association":null,"panel":null,"place":"Barcelona","presentation_date":null,"presentation_date_note":null,"convenors":null},"visibility":"public","audiences":[],"artwork":null,"location":null},{"id":"historical-publication-3","music_id":null,"slug":null,"href":"/work/historical-publication-3","title":"Creativity","medium":"Publication","classification":"Publication","kind":"Publication","date":"2015","date_end":null,"date_precision":"year","date_label":"Publication year","date_note":"","approximate":false,"recording_date":null,"project":"Writing & anthropology","primary_project_id":"writing-anthropology","project_ids":["writing-anthropology"],"people":["Rodrigo Ferrari-Nunes"],"credits":"","credited_artists":"","credit_roles":[],"place":"","place_role":"","keywords":["writing","bibliographic reference"],"description":"GRAPA: Grup de Recerca en Antropologia i Pràctiques Artístiques, Barcelona.","doi":null,"link":null,"image":null,"embed":null,"player":null,"sources":[],"collections":[],"lyrics":null,"patreon_post_url":null,"abstract":null,"event":null,"visibility":"public","audiences":[],"artwork":null,"location":null},{"id":"video-KDqoOOI-KeQ","music_id":null,"slug":null,"href":"/work/video-KDqoOOI-KeQ","title":"[HD] Shetland Music, a Chronological Compression 2013 2014, EASA CUT","medium":"Video","classification":"Performance video","kind":"Film","date":"2014-06-13","date_end":null,"date_precision":"day","date_label":"Upload / publication date","date_note":"","approximate":false,"recording_date":null,"project":"Shetland films & performances","primary_project_id":"shetland-films-performances","project_ids":["shetland-films-performances"],"people":["Rodrigo Ferrari-Nunes"],"credits":"This video has been edited down from the original 10 minutes into a 5 minute version, especially for the upcoming European Association of Social Anthropologists (EASA) 13th Biennial conference themed 'Collaboration, Intimacy & Revolution -- innovation and continuity in an interconnected world.' The original 10 minute video can be watched at  The author will be presenting this video and his ethnographic research as part of the 'Young Scholars Forum,'  at the Estonian Institute of Humanities, Tallinn University, Estonia -- between July 31st and and August 3rd, 2014. More information at ","credited_artists":"","credit_roles":[],"place":"Shetland, Scotland","place_role":"Collection context","keywords":["Shetland films & performances","video"],"description":"This video has been edited down from the original 10 minutes into a 5 minute version, especially for the upcoming European Association of Social Anthropologists (EASA) 13th Biennial conference themed 'Collaboration, Intimacy & Revolution -- innovation and cont","doi":null,"link":"shetland.html#video-KDqoOOI-KeQ","image":"https://i.ytimg.com/vi/KDqoOOI-KeQ/hqdefault.jpg","embed":"https://www.youtube-nocookie.com/embed/KDqoOOI-KeQ","player":null,"sources":[{"label":"Original YouTube upload","url":"https://www.youtube.com/watch?v=KDqoOOI-KeQ"}],"collections":["shetland"],"lyrics":null,"patreon_post_url":null,"abstract":null,"event":null,"visibility":"public","audiences":[],"artwork":null,"location":null},{"id":"video-zTgFu0TP_Zg","music_id":null,"slug":null,"href":"/work/video-zTgFu0TP_Zg","title":"[HD] Shetland Music, 2013-2014 -- a Chronological Compression","medium":"Video","classification":"Performance video","kind":"Film","date":"2014-05-30","date_end":null,"date_precision":"day","date_label":"Upload / publication date","date_note":"","approximate":false,"recording_date":null,"project":"Shetland films & performances","primary_project_id":"shetland-films-performances","project_ids":["shetland-films-performances"],"people":["Rodrigo Ferrari-Nunes"],"credits":"filmed and edited by\nRodrigo Ferrari-Nunes. PhD. \n\n\naudio postproduction by\nStevie Hook at WobblyGang Hut Studio,\nLerwick, Shetland\n\nadditional footage by\nMarjolein Robertson (SpootHawk, Aug. 2013)\nChloe Tallack (SpootHawk, Oct. 2013). \n\nCopyright © Rodrigo Ferrari-Nunes 2014\nAll rights reserved. Unauthorized copying, hiring,\nlending, public performance & broadcasting prohibited. This experimental video was conceived for a  plenary  presentation at the 13th Biennial Conference of the  European Association of Social Anthropologists (EASA) entitled ‘ Collaboration, Intimacy and Revolution ‘ (see  full program ). I edited the video in Shetland, and showed it to different people throughout the editing process. Stevie Hook mastered the audio in Lerwick, which was put together from different cameras and microphones. \n This composition aimed to show the variety of musics being played in Shetland and the sense of interpersonal knowledge that that active members of the sociomusical scene share.  Yet, this latter nuance is not immediately accessible to viewers who are not familiar with people, places and events featured in the video. Local viewers, however, need no contextualization, for they see immediately who is who and where is where. This video represents a fraction of the media collected as part of my PhD ethnographic project over the course of 15 months.","credited_artists":"","credit_roles":[],"place":"Shetland, Scotland","place_role":"Collection context","keywords":["Shetland films & performances","video"],"description":"filmed and edited by\nRodrigo Ferrari-Nunes. PhD. \n\n\naudio postproduction by\nStevie Hook at WobblyGang Hut Studio,\nLerwick, Shetland\n\nadditional footage by\nMarjolein Robertson (SpootHawk, Aug. 2013)\nChloe Tallack (SpootHawk, Oct. 2013). \n\nCopyright © Rodrigo Fe","doi":null,"link":"shetland.html#video-zTgFu0TP_Zg","image":"https://i.ytimg.com/vi/zTgFu0TP_Zg/hqdefault.jpg","embed":"https://www.youtube-nocookie.com/embed/zTgFu0TP_Zg","player":null,"sources":[{"label":"Original YouTube upload","url":"https://www.youtube.com/watch?v=zTgFu0TP_Zg"},{"label":"Shetland journal","url":"https://shetlandmakesmusic.wordpress.com/2016/06/28/chronological-compression/"}],"collections":["shetland"],"lyrics":null,"patreon_post_url":null,"abstract":null,"event":null,"visibility":"public","audiences":[],"artwork":null,"location":null},{"id":"video-w4_hUxcxunQ","music_id":null,"slug":null,"href":"/work/video-w4_hUxcxunQ","title":"Arthur Nicholson - Ready To Go","medium":"Video","classification":"Performance video","kind":"Film","date":"2014-01-25","date_end":null,"date_precision":"day","date_label":"Upload / publication date","date_note":"","approximate":false,"recording_date":null,"project":"Shetland films & performances","primary_project_id":"shetland-films-performances","project_ids":["shetland-films-performances"],"people":["Rodrigo Ferrari-Nunes","Arthur Nicholson"],"credits":"Ready To Go (Arthur Nicholson) \nfrom the album 'Sticks & Stones' (2013)\n\nArthur Nicholson, acoustic guitar & vocals\nwww.arthurnicholson.co.uk\n\nVideo by Rodrigo Ferrari-Nunes\nVideo Copyright © Rodrigo Ferrari-Nunes 2014\nMusic Copyright © Arthur Nicholson\n\n2014 Contemporary Alternative Productions Shetland (CAP Shetland) This video was filmed in Fladdabister, Shetland. Arthur opted for a video that was aligned with the sonic proposal of his album, which should sound like having a singer-songwriter with a guitar singing close to you in the intimacy of your living room. Arthur chose the setting, the same for the album cover photographs, and we carried the project through. I found it was very easy to work with Arthur because he knew exactly what he wanted and expressed it with clarity. He helped to add the final synching touches on the video and provided feedback on every step of the process. The album, Sticks and Stones, released in 2013, can be purchased via  Arthur’s website .","credited_artists":"","credit_roles":[],"place":"Shetland, Scotland","place_role":"Collection context","keywords":["Shetland films & performances","video"],"description":"Ready To Go (Arthur Nicholson) \nfrom the album 'Sticks & Stones' (2013)\n\nArthur Nicholson, acoustic guitar & vocals\nwww.arthurnicholson.co.uk\n\nVideo by Rodrigo Ferrari-Nunes\nVideo Copyright © Rodrigo Ferrari-Nunes 2014\nMusic Copyright © Arthur Nicholson\n\n2014","doi":null,"link":"shetland.html#video-w4_hUxcxunQ","image":"https://i.ytimg.com/vi/w4_hUxcxunQ/hqdefault.jpg","embed":"https://www.youtube-nocookie.com/embed/w4_hUxcxunQ","player":null,"sources":[{"label":"Original YouTube upload","url":"https://www.youtube.com/watch?v=w4_hUxcxunQ"},{"label":"Shetland journal","url":"https://shetlandmakesmusic.wordpress.com/2014/01/25/arthur-nicholson-ready-to-go/"}],"collections":["shetland"],"lyrics":null,"patreon_post_url":null,"abstract":null,"event":null,"visibility":"public","audiences":[],"artwork":null,"location":null},{"id":"video-Go5966RPKUM","music_id":null,"slug":null,"href":"/work/video-Go5966RPKUM","title":"PROMO: SpootHawk LIVE at the Lerwick Legion, January 18th 2014","medium":"Video","classification":"Performance video","kind":"Film","date":"2014-01-09","date_end":null,"date_precision":"day","date_label":"Upload / publication date","date_note":"","approximate":false,"recording_date":null,"project":"SpootHawk","primary_project_id":"spoothawk","project_ids":["spoothawk"],"people":["Rodrigo Ferrari-Nunes","Ewan Nowak","Arthur Nicholson","Lewis Murray","Joe Watt"],"credits":"Local original rock band SpootHawk perform their own brand of rock music at the Lerwick legion with support from the fantastic Deathstar Canteen, North Country Fair (tbc) and Trookers.\n\nSpootHawk is an emerging rock band led by Shetlands hottest guitar duo Ewan Nowak and Arthur Nicholson, the screamingly talented singer Joe Watt, the dark and smokey bass player extraordinaire Rodrigo Ferrari Nunes and drumming supremo Lewis Murray.\n\nIf 'Hot Love, straight after midnight' is your thing then you won't want to miss out!\nTickets available on the door (subject to availability) but pre booking is recommended.\nOver 18s only\n\nMusic Copyright © Ewan Nowak\n'Nine Inch Strides,' Live at the Lerwick Legion\nRecorded by Stevie Hook\nMixed by Joe Watt, CAP Shetland\n\nOriginal Artwork by Dirk Robertson\n\nImages by Chloe Garrick\nFilmed at Mareel, Lerwick, Shetland\nProduced and Edited by Rodrigo Ferrari-Nunes, CAP Shetland\nVideo Copyright © Rodrigo Ferrari-Nunes 2014 Original promo video created for SpootHawk’s album release. \n \n Local original rock band SpootHawk perform their own brand of rock music at the Lerwick legion with support from the fantastic Deathstar Canteen, North Country Fair (tbc) and Trookers. \n SpootHawk is an emerging rock band led by Shetlands hottest guitar duo Ewan Nowak and Arthur Nicholson, the screamingly talented singer Joe Watt, the dark and smokey bass player extraordinaire Rodrigo Ferrari Nunes and drumming supremo Lewis Murray. \n If ‘Hot Love, straight after midnight’ is your thing then you won’t want to miss out! \nTickets available on the door (subject to availability) but pre booking is recommended. \nOver 18s only \n Music Copyright © Ewan Nowak \n‘Nine Inch Strides,’ Live at the Lerwick Legion \nRecorded by Stevie Hook \nMixed by Joe Watt, CAP Shetland \n Original Artwork by Dirk Robertson \n Images by Chloe Garrick \nFilmed at Mareel, Lerwick, Shetland \nProduced and Edited by Rodrigo Ferrari-Nunes, CAP Shetland \nVideo Copyright © Rodrigo Ferrari-Nunes 2014 \n Listen also to ‘In Plain Sight’ from the album A Good Haul (2014)","credited_artists":"","credit_roles":[],"place":"Shetland, Scotland","place_role":"Collection context","keywords":["SpootHawk","video"],"description":"Local original rock band SpootHawk perform their own brand of rock music at the Lerwick legion with support from the fantastic Deathstar Canteen, North Country Fair (tbc) and Trookers.\n\nSpootHawk is an emerging rock band led by Shetlands hottest guitar duo Ewa","doi":null,"link":"shetland.html#video-Go5966RPKUM","image":"https://i.ytimg.com/vi/Go5966RPKUM/hqdefault.jpg","embed":"https://www.youtube-nocookie.com/embed/Go5966RPKUM","player":null,"sources":[{"label":"Original YouTube upload","url":"https://www.youtube.com/watch?v=Go5966RPKUM"},{"label":"Shetland journal","url":"https://shetlandmakesmusic.wordpress.com/2014/01/09/spoothawk-live-at-the-legion/"}],"collections":["shetland"],"lyrics":null,"patreon_post_url":null,"abstract":null,"event":null,"visibility":"public","audiences":[],"artwork":null,"location":null},{"id":"video-qIGFn7XTG4E","music_id":null,"slug":null,"href":"/work/video-qIGFn7XTG4E","title":"JANUARY AGAIN by NORTH COUNTRY FAIR","medium":"Video","classification":"Performance video","kind":"Film","date":"2014-01-04","date_end":null,"date_precision":"day","date_label":"Upload / publication date","date_note":"","approximate":false,"recording_date":null,"project":"Shetland films & performances","primary_project_id":"shetland-films-performances","project_ids":["shetland-films-performances"],"people":["Rodrigo Ferrari-Nunes","Arthur Nicholson"],"credits":"JANUARY AGAIN (Michael Williamson)\nfrom the album 'Liberty Follows' (2013)\n\nWith \nMichael Williamson, guitar and vocals\nJimmy Quinn, guitar and backing vocals\nArthur Nicholson, guitar, harmonica and backing vocals\nChris Thomson, vibes\nMagnus Polson, bass\nGwyn Davies, drums\nChloe Robertson, fiddle\nCarol Jamieson, keys\n\nVideo by Rodrigo Ferrari-Nunes\nVideo Copyright © Rodrigo Ferrari-Nunes 2014\nMusic Copyright © Michael Williamson\n\n2014 Contemporary Alternative Productions Shetland (CAP Shetland) JANUARY AGAIN (Michael Williamson) \nfrom the album ‘Liberty Follows’ (2013) \n with \nMichael Williamson, guitar and vocals. \nJimmy Quinn, guitar and backing vocals. \nArthur Nicholson, guitar, harmonica and backing vocals. \nChris Thomson, vibes. \nMagnus Polson, bass. \nGwyn Davies, drums. \nChloe Robertson, fiddle. \nCarol Jamieson, keys. \n Filmed and edited by Rodrigo Ferrari-Nunes. \nVideo Copyright © Rodrigo Ferrari-Nunes 2014. \nMusic Copyright © Michael Williamson. \n I produced this video with help from Michael Williamson and Arthur Nicholson, who drove me to Whalsay on two occasions, late in 2013. This song became increasingly meaningful to me as time moved on. January was coming again, and it felt right to give something back to my North Country Fair friends.","credited_artists":"","credit_roles":[],"place":"Shetland, Scotland","place_role":"Collection context","keywords":["Shetland films & performances","video"],"description":"JANUARY AGAIN (Michael Williamson)\nfrom the album 'Liberty Follows' (2013)\n\nWith \nMichael Williamson, guitar and vocals\nJimmy Quinn, guitar and backing vocals\nArthur Nicholson, guitar, harmonica and backing vocals\nChris Thomson, vibes\nMagnus Polson, bass\nGwyn","doi":null,"link":"shetland.html#video-qIGFn7XTG4E","image":"https://i.ytimg.com/vi/qIGFn7XTG4E/hqdefault.jpg","embed":"https://www.youtube-nocookie.com/embed/qIGFn7XTG4E","player":null,"sources":[{"label":"Original YouTube upload","url":"https://www.youtube.com/watch?v=qIGFn7XTG4E"},{"label":"Shetland journal","url":"https://shetlandmakesmusic.wordpress.com/2014/01/04/january-again-by-north-country-fair/"}],"collections":["shetland"],"lyrics":null,"patreon_post_url":null,"abstract":null,"event":null,"visibility":"public","audiences":[],"artwork":null,"location":null},{"id":"conference-10","music_id":null,"slug":null,"href":"/work/conference-10","title":"A Brazilian in Shetland: a musical trajectory through an eclectic music-scene","medium":"Conference","classification":"Conference","kind":"Conference","date":"2014","date_end":null,"date_precision":"year","date_label":"Conference year","date_note":"","approximate":false,"recording_date":null,"project":"Shetland","primary_project_id":"shetland","project_ids":["shetland"],"people":["Rodrigo Ferrari-Nunes"],"credits":"","credited_artists":"","credit_roles":[],"place":"Tallinn","place_role":"","keywords":["conference","presentation","EASA, Tallinn."],"description":"EASA, Tallinn.","doi":null,"link":"shetland.html#video-KDqoOOI-KeQ","image":null,"embed":null,"player":null,"sources":[{"label":"Conference abstract","url":"https://nomadit.co.uk/conference/easa2014/paper/21751"},{"label":"Conference programme","url":"https://nomadit.co.uk/conference/30/p/3210"},{"label":"Watch presentation","url":"https://www.youtube.com/watch?v=KDqoOOI-KeQ"}],"collections":["shetland"],"lyrics":null,"patreon_post_url":null,"abstract":{"kind":"Paper abstract","short":["This audiovisual presentation summarizes my creative trajectory as an ethnographer, performer, and eventually a video producer in the Shetland Isles, northern Scotland, where I have been residing since October 2012. It will showcase range of genres, venues, creative projects and interviews."],"full":["My PhD fieldwork project focuses on the variety of musical genres being played in Shetland, the role of venues and architectures, the work of sound engineers, study participants' mobilities and uses of technologies of musical production. I hoped to become involved in the local music scenes as a musician. My goal in this video is to represent how my experiences unfolded into unforeseeable creative paths, exceeding my earlier expectations of involvement. Still in 2012, I became active as a jazz musician, playing bass and guitar with talented local youth. In the summer of 2013, I became the bass player for the rock band SpootHawk, featuring Arthur Nicholson on guitar, winner of a 'Danny' award at the Celtic Connection festival in Glasgow for his work as a singer-songwriter. I was responsible for the photography and CD layout for Arthur's album 'Sticks and Stones' and directed his music video 'Ready to Go.' I was also involved as musician in the National Theatre of Scotland project 'Ignition,' and as a filmmaker and photographer in the local project 'Back from Beyond,' subjects of my ASA 2014 conference presentation. Eventually, in December 2013, I co-founded a small production company with a local, after producing three music videos that were chosen to be shown by Promote Shetland, an agency funded by the Scottish Government, during the Up Helly Aa 2014 broadcast. This video presentation seeks to represent my social and musical trajectory in Shetland by organizing clips from hundreds of hours of performance and interview footage."],"source_label":"Conference abstract","source_url":"https://nomadit.co.uk/conference/easa2014/paper/21751"},"event":{"role":"Paper","conference":"EASA 2014, Tallinn","association":"European Association of Social Anthropologists (EASA)","panel":"Plenary C · Young scholars forum","place":"Tallinn","presentation_date":null,"presentation_date_note":null,"convenors":null},"visibility":"public","audiences":[],"artwork":null,"location":null},{"id":"conference-11","music_id":null,"slug":null,"href":"/work/conference-11","title":"Cultural Collaboration in Shetland: coping with and transcending urban-rural radical differences","medium":"Conference","classification":"Conference","kind":"Conference","date":"2014","date_end":null,"date_precision":"year","date_label":"Conference year","date_note":"","approximate":false,"recording_date":null,"project":"Shetland","primary_project_id":"shetland","project_ids":["shetland"],"people":["Rodrigo Ferrari-Nunes"],"credits":"","credited_artists":"","credit_roles":[],"place":"Edinburgh","place_role":"","keywords":["conference","presentation","ASA, Edinburgh."],"description":"ASA, Edinburgh.","doi":null,"link":null,"image":null,"embed":null,"player":null,"sources":[{"label":"Conference abstract","url":"https://nomadit.co.uk/conference/asa2014/paper/20377"}],"collections":["shetland"],"lyrics":null,"patreon_post_url":null,"abstract":{"kind":"Paper abstract","short":["How do sociomusical experiences afford transcending barriers based on perceptions of ‘radical’ differences? I compare my experiences in two Shetland based projects, ‘Ignition’ and ‘Back from Beyond,’ to explore how urban attitudes about rural communities shape perceptions of cultural difference."],"full":["This paper analyzes audiovisual materials from fieldwork in the Shetland Isles, northern Scotland, where I became an active participant in the local music scene. I focus on research participants' experiences with two large collaborative sociomusical projects that took place in 2013 - 'Ignition,' a production led by the National Theatre of Scotland, and 'Back from Beyond,' a project led by two socially aware and involved local women. I played electric guitar for 'Ignition' and produced two music videos for 'Back from Beyond.' 'Back from Beyond' managed to generate relationships between a sense of place and art by affording collaborations between filmmakers and music-makers inspired by local landscapes. The more 'professionalized 'Ignition' production was perceived as culturally and economically exploitative by locals, especially musicians. 'Ignition' transformed almost beyond recognition a local proposal for a theatre project about road safety conceived after the death of a young Shetland actor in a motor accident. 'Back from Beyond' was purposefully conceived in contrast with 'Ignition,' which housed its professional staff on expensive flats, with salaries while expecting locals to contribute massive amounts of time for no pay. 'Back from Beyond' promoted a number of local musical acts, generated original music videos, audio recordings and dialect poetry, showcased the talents of people with disabilities, compensated production technicians, put up a major concert celebration that compelled more people to create more art inspired by landscapes, and commissioned locally a website where content can be shared and showcased, and where places and artists are credited and celebrated."],"source_label":"Conference abstract","source_url":"https://nomadit.co.uk/conference/asa2014/paper/20377"},"event":{"role":"Paper","conference":"ASA 2014, Edinburgh","association":"Association of Social Anthropologists of the UK and Commonwealth (ASA)","panel":"P42 · Difference in an interconnected world","place":"Edinburgh","presentation_date":null,"presentation_date_note":null,"convenors":null},"visibility":"public","audiences":[],"artwork":null,"location":null},{"id":"award-1","music_id":null,"slug":null,"href":"/work/award-1","title":"A Creative Enlightenment: A Unique Programme for Enterprising Researchers from the Arts and Humanities. 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