My PhD fieldwork engaged Shetland musicians’ social world through active personal participation in the local music scene. I explored how locals articulated personal and social perspectives on the distinctiveness of Shetland’s culture by reflecting on their own social experiences. The Shetland Spree is described as the key local practice that manifests the principles of an epistemological tradition: a way of knowing and being that is shared across multiple generations.
I explore the evidence for existing interconnected epistemological principles, including horizontality (supporting people of all ages, genders, socioeconomic classes, cultural backgrounds and musical skill level), interpersonal and intergenerational knowledge, resourcefulness and nuance of character appreciation. Individuals know, describe and manifest these principles in their own characteristic, personal and changing ways. The appreciation of individual idiosyncrasies, life stories and skills in Shetland is not necessarily aligned with a model of competitive individualism of neoliberal capitalism, but with a local principle of equality and horizontality, founded on spree practices.
Based on open principles, this epistemological tradition supports engagement with past, current and novel forms of musical expression, remaining open to outside influences. As a fluid, living form, understanding it requires a leap beyond static models of tradition that seek the preservation of idealised authentic forms, canonical-aesthetic orthodoxies, and social boundaries. The spree remains stable and resilient as a principled way of being, providing a model for interactions with locals and outsiders, and affording the growth of a closely-knit social support network.
During my time in Shetland, I played in various original music projects, and performed on stages around the islands.
I was stoked when Ewan Nowak invited me to be part of this band as a bass player. It included Arthur Nicholson on guitar, Joe Watt on lead vocals, and Lewis Murray on drums.
With Spoot Hawk, we eventually into the studio at Mareel and recorded an album. You can listen to it on Spotify.
The Cosmic Question Mark: Clear Manipulation and… August 22, 2023 
THE AKASHIC RECORDS AND SHIFTING REALITIES January 22, 2021 
Echoes of Time: Live Talk with UAP on Historical Mysteries July 22, 2020 
THE VOYAGER MIRACLE November 4, 2020 
“EX-FLAT EARTHER” COMES OUT June 17, 2020 
O GLOBO É A ÚNICA REALIDADE September 8, 2021 
ALIEN INVASION AND THE COLONIAL COSMOLOGY July 7, 2020 
